Showing posts with label Faye Marsay. Show all posts
Showing posts with label Faye Marsay. Show all posts

Saturday, 3 May 2014

The White Knight Syndrome


Why we are all so enamored by the story of Richard and Anne?

Richard rescues Anne from the battlefield
 That moment in the middle of Tewkesbury battlefield in “The White Queen” where Richard, who is still the Duke of Gloucester (portrayed by Aneurin Barnard) at this time, rescues Anne Neville (portrayed by Faye Marsay) from impending doom.  Just about every girl’s heart stopped for a minute.  And we all sigh and dream that we are in Anne’s place.  Why? It’s the fairy tale come true romance, we have all dreamed of: “Knight in shining armor” comes to rescue fair damsel in distress” which is Anne.  He is like Lancelot!  This idea is not a new one; it actually has it roots very far back in folklore and of the chivalric tales of the Middle Ages.  This is also more than likely why the real story about Anne and Richard was so popular amongst 14th century society.  In a world of political upheaval and turmoil, the idea of romantic love was a break from reality that most wished and desired. Reality was war, loss, and destruction.

Having already discussed the concept of courtly love and the importance it had amongst society, its time to take the story a bit further. What were people’s lives like that led them to believe and wish for their “white knight” to come bounding through terrors, slay dragons, and rescue them from afar? What was life like for the noble woman of the 14th century?

The political pawn

Isabelle and Anne
Anne Neville came from one of the most politically prominent families during the time of the War of the Roses. Her story and her upbringing are actually quite typical of what a young lady of noble status would have experienced during this time and also previous periods of the Middle Ages. Having daughters meant that families who sought or wished to maintain their power and lands, had means to do so.  The ability of expanding their empire or household was a large possibility of a good marriage between their daughters with other lords and nobles in the realm or from neighboring countries.  In cases where money was involved, it also was a way that monies were obtained and made in the form of a dowry.  The higher the dowry was for the soon to be bride, the more valuable she became to her suitors and her family.

To manage the household

Noble women in the Middle Ages didn’t just sit around bear children for their husbands, do needlepoint and gossip, they actually were schooled from a young age to know how to run a large household, amongst other duties. They would have shadowed their mothers growing up and assisted them in their duties, such as making sure goods were stocked in the kitchens, if messages needed to be sent to neighboring lords for items or assistance, they made sure they were sent. Days were structured starting with prayers said each morning at mass and followed up each night by prayer. This routine would be taught to her daughters as well.  She would have ladies in waiting to assist her with dressing, arranging her hair, and other tedious aspects of medieval life.  In addition to overseeing how the house ran, she would also supervise the education of other noble daughters, as well as her own girls.
embroidery and other hobbies of the ladies

Evenings after meals, were prepared and served, to the liking of the head of the household, stories of courtly love, poetry, games, and music were the most popular forms of entertainment in most noble households. It is here that the stories of “Tristan and Isolde”, or “De Morte Arthur” were told. It is more than likely these stories were what Anne heard quite often growing up in Middleham and Warwick castle. To a little girl who’s father had great plans, the thought of being carried off by her true love was a perfect dream for her, as well as many other girls pending an arranged marriage to someone they did not know.

Honor thye husband

One of the most important lessons a mother in the Middle Ages, as well as the church, taught her daughter was to honor their husband.  This also was meant towards their fathers as well. To disobey or dishonor brought shame to the household. This alone stressed acceptance to a political or arranged marriage matches between a young bride to her husband to be.  It is also why stories such as “Tristan and Isolde” were seen as scandalous, yet quite popular amongst court tromboudors. 

Her education from upbringing also is what made the lady of the household the main emotional support for her husband. This is clearly evident in many of the scenes of “The White Queen” between Anne and Richard, and also in history with Cecily Neville, Eleanore of Aquitaine and others. The women where the ones who many of times picked up the pieces if they had to move, wait patiently with children during a siege, and at times without their husbands during long standing wars.  Her job was to keep her household safe, yet be of support for her husband off at war and keep hope alive for his safe return. She was the keeper of his heart and of his soul should harm fall upon him, as her blessing was said to protect.

Finally, one of the most important aspects of her duties to her husband was to bear him an heir, to carry on the line of the family. In some cases this was easily done, others like Richard and Anne, this was not easily accomplished and the outcome was not of best circumstances.  For there one and only heir died tragically.  We don’t know enough about Anne to know why she was only able to have one child.  But it was very devastating for her, as well as Richard. It changed their lives forever.

The challenges and duties of a noble lady such as Anne Neville faced in her life, were more than likely quite demanding and at times very stressful.  The image of the knight in shining armor or “white knight” is a very realistic illustration of the psyche of not just one but many medieval noble ladies during the 14th century. It is very easy to conclude that this is one of the reasons why the relationship between Anne and Richard today is so appealing to many, and not just the ladies of the Middle Ages. There is always a point in our lives where we all want to be rescued by a knight in shining armor from the evils or demands of society.

Sources: http://www.lordsandladies.org/daily-life-noblewoman-middle-ages.htm

Sunday, 2 March 2014

Books of Art and of Prayer


"R. Gloucester" before king.
“Lord Jesus Christ, deign to free my, your servant King Richard, from every tribulation, sorrow and trouble in which I am placed…hear me, in the name of all your goodness, for which I give thanks, and for all the gifts granted to me, because you made me from nothing and redeemed me out of your bounteous love and pity from eternal damnation to promising eternal life.” ~ From Richard III personal Book of Hours
 
Coat of Arms with boars of Richard III
A book can be a window to one’s soul. This is one of the reasons for the popularity of prayer books during the Middle Ages.  Prayer was always supposed to being you closer to God, especially in the Medieval Christian faith. During the 1400’s manuscripts started to become more available to the general public, not just the nobility.  Because of this, we have more historical evidence of what was read and circulated during this time, than we do from previous reigns.

These prayer books of the Middle Ages were also known as “Book of Hours.” Their use as a devotional item is this main reason for their prevalence and preservation today. There are many famous prayer books that have survived for example: Les Très Riches Heures du duc de Berry, the Visconti Hours, Hours of Catherine of Cleves, and even the personal prayer book of King Richard III, which has a story of its own. What were these books for? And why where they so important to the medieval owner?
A page from Richard III's Book of Hours
To understand the importance of these books of prayer, it is important to understand the impact of religion on society at this time. Life during the 15th century was nowhere near as secular as it is today.  Daily life revolved for both the nobility and common folk around the church; the Catholic Church. Prayer was said daily, and many frequented church at least once a day, at times more especially during Lent.  Before a day of battle during war; mass was said before engaging the enemies, on the battlefield.  Because of this, many would being the books with them to battle or with them on their campaigns to make sure their souls were cleansed or prepped incase they ended up in Gods hands.

These books were known as “primers.” They provided the readers or owners a range of personal prayer to recite as apart of their own daily meditation. Important prayers included passages from psalms, and collections of the Old Testament. These texts were grouped together in the books, which we know as the “Hours.” Examples of some of these included “Office of the Virgin” and “Office of the Dead” (Source: notes: “Book of Hours” Lecture from England in the Time of Richard III, Future Learn class)

The structure of the books yet even though many commissioned for the individual, personally did have a similar structure or layout.

A Calendar of Church feasts
An excerpt from each of the four gospels
The Little Office of the Blessed Virgin Mary
The fifteen Psalms of Degrees
The seven Penitential Psalms
A Litany of Saints
An Office for the Dead
The Hours of the Cross
Various other prayers

These books because of the period they were produced have paintings inside them, which are very useful in understanding 15th and 16th century life.  It is this reason why they are very popular with scholars when studying the period. They also are very important in understanding medieval Christianity. The books were tailored to their owners such as a man, or lady, and at times their names incorporated into some of the text and prayers to make it more personal. Also heralds or coat of arms were incorporated into the book to identify its original owner.
 
The rosary held by Anne, was also an important religious item.
Today hundreds survive in England alone.  Mainly because there were a large portion made, and they were produced in large numbers. Being that they were personal possessions of many, this aided their survival during the Reformation, yet still a fraction where subject to being discarded and destroyed with the destruction of the monasteries.  They were originally created as original manuscripts, but later were manufactured in commercial workshops with the personal details or inserts put in to give personalization for the owner.  With the introduction of printing, the books were printed via woodcut on vellum or parchment and parts were left not detailed for later imagery and colorization and personalization for the new owner.  Almost majority were composed in Latin yet some in French and Latin.

“At day-break on the Monday following there were no chaplains present to perform Divine service on behalf of king Richard, nor any breakfast prepared to refresh the flagging spirits of the king; besides which, as it generally stated, in the morning he declared that during the night he had seen dreadful visions, and had imagined himself surrounded by a multitude of dæmons. He consequently presented a countenance which, always attenuated, was on this occasion more livid and ghastly than usual…” Croyland Chronicle (http://www.r3.org/on-line-library-text-essays/crowland-chronicle/)

It is interesting to note one of the prayer books that has survived today; was one of King Richard III.  It is believed that 11-13 books survived today that were form his personal collection.  It is not surprising to find that he owned one, being a devote Catholic it was a common item to have, and to accompanied him on his travels and battles.  His book as noted above, has an interesting story.  The book is actually a second hand book, which is to have believed to been made around 1415 in London.  A close examination of the prayers included n the book; tell us that it was made for a priest.  Sometime after Richard acquired it, the long prayer at the end was added.  This prayer added holds an important significance. Not only does it ask for protection and relief from grief and sickness, but it also asks for protection from the hatred and the plots of his enemies and for reconciliation or forgiveness from them.  This prayer he added is actually a variant of a standard prayer that was included in similar versions of Book of Hours.  The prayer was widely circulated and even used by some of Richard’s contemporaries such as Alexander, Prince of Poland.  It later became important in the post-Tridentine Roman-primer that was printed and became standard staple in the Counter-Reformation of lay piety. 
 
One last prayer (Richard III portrayed by Aneurin Barnard)
When examining Richard as a person and his connection to his religion; catholcisum, this prayer it demonstrates an individual who is devoted, pious, but also isolated in his individualism.  This shows the importance of prayer in lay people of the later Middle Ages.  It also shows us how his individual enemies, and their intent and actions affected him as a person.  His concience in turmoil is directly shown through his need for personal prayer symbolizing his closeness to his religion and reasons behind his own personal for forgiveness.  This book of Richards’ and its meaning, offers both insight to the hostility and turmoil of medieval life during the War of the Roses and the impact of faith on the individual.  The prayers against harm from thyne enemies and need for protection show how unstable English society was at this time. 

After his untimely death at Bosworth, it was said that Henry Tudor found Richard’s prayer book in his tent, and gave it to his mother, Margaret Beaufort. She apparently altered it and wrote her name in it.  The prayer he wrote “praying for deliverance from various forms of affliction, sickness and danger” was left intact.  Unfortunately, the prayer’s intent and his closeness to his faith that he hoped would keep him out of harms way, didn’t quite work out that way.  It is noted though his faith and hope in God, did give him the courage to fight until his death.

Duffy, Eamon. Marking the Hours: English People and Their Prayers 1240-1570 Published by Library of Congress/Eamon Duffy c. 2006 pp. 100-102 (google ebooks)
Personal notes from “England in the Time of Richard III” course by Future Learn Nov. 2013.

Saturday, 26 October 2013

Setting Some Facts Straight: My Review of "The White Queen"

I, like many for the last 10 weeks or so have been watching Starz "The White Queen.” At first, I struggled to get through the first episode due to drugged stupor from surgery but once I finally watched it, I was curious as to what the series had to offer.

The series is based off the book of similar title set during the War of The Roses in England in 1450s or so. It’s a medieval period themed series: my cup of tea basically. So me and my knowledge, biting my tongue many of times, and mind; ended up watching the show in its entirety. In the end I was amazed. I had read mixed reviews, and was actually quiet shocked of how the series was perceived by many audiences. In the end, I certainly did not follow the tone of the journalists who wrote the reviews. Still I wonder what was put in their drink that day. Did they forget that film is like any art form, it is interpretative and first and foremost it is art. Criticizing it won’t do you a bit of good. The overall consensus: the show left me wanting more, and a with a few sleepless nights with the vision of Richard III dead body on the ground….I got a little freaked out…. Shock factor achieved there Aneurin.

The acting. Words don’t even come close. We are introduced to Elizabeth and Edward first. The Anne and Richard, played by Faye Marsay and Aneurin Barnard. They stole the show. As well as Amanda Hale who plays Margaret Beauford and Stanely. I am uncertain of the actors name. The twists, the emotions, the technique, they all used, especially Aneurin, is just captivating. I remember watching the first episode where Richard III is really a main character and I was just floored. His performance just blew me away. Give him a prize someone. I have seen a ton of period movies and not, and"The White Queen" just blew it out of the park. Bravo! Now, the show is over and I miss my medieval fix!

With that being said, we get to my review of the series. I understand liberties were taken with some aspects of the filming, i.e. lack of armor, clothing, and other details, (red paint on the window frame) which being a trained medievalist, I didn’t complain and just let it slide. As far as critiquing, the only real problem I had was some of the themes addressed in the story line. There is just not even close or loose historical base to have made the claims. It is a little bewildering to me as a historian and a scholar, that they were even suggested. As a result, it created confusion amongst many viewers and their views of specific characters, especially of Richard III. Of note, I did have a blast helping my peers understand the period after the show was over that following night.

Now back to Richard. He is probably the most misunderstood of all the English Plantagenet kings. A lot of it traces back to what happened after and before his death.
Now my gripes. First, I had a slight issue with the relationship that was suggested in the show between Lizzy (Elisabeth of York) and Richard. This more than likely never happened, actually it didn’t. It was a result of gossip and rumor. Anne and Richard actually shared a bed up until she got ill. This wasn’t very common in that day. King’s and Queen’s had separate chambers. If he had had an affair, she would have been the first to know, since they shared a bed up until the end, when it was feared that he too would become ill.

Is there any evidence? No. There is only one letter in existence that Lizzy wrote that is more than likely a misinterpretation or a fake. It is also know, or it should be that if Lizzy was educated, she would have known about courtly romance and courtly love, introduced by Marie de France. This needs to be taken into consideration. It greatly impacted writing at the time, as well as composition. When looking at her writings, these are some of the aspects that pop out and yes, could be misinterpreted quite easily for “love” not “admiration,” which in fact it was. Richard was planning a wedding for her. As a responsible and thankful niece, of course he would be in admiration of her; he is helping her plan her future marriage. This is a big deal and an expensive one.
Some notes about the letter. The letter found by George Buck, who lived about 100 years after Richard’s death. It claimed to have “have seen a letter written by Elizabeth of York to John Howard, 1st Duke of Norfolk, shortly before the death of Queen Anne Neville, in which Elizabeth declared her love for Richard III and her hope of becoming his wife. In Buck’s words, the letter asks Norfolk “to be a mediator for her to the King, in behalf of the marriage propounded between them”, who, as she wrote, was her “onely joy and maker in this world”, and that she was his in heart and thought: “withall insinuating that the better part of February was past, and that she feared the Queen would never die.” The letter, if it ever existed, is now lost.” (http://en.wikipedia.org/wiki/George_Buck) Now as a scholar, it is quite interesting that a letter oh 100 years later emerges, then disappears. Something in this is not right. Hence, why it is thought that the letter was a fake, or misinterpretation, and oh by the way.. it’s missing now too.

Another source, that documents and discusses this letter as well as the information received from the Croyland Chronicles; the book Richard, Return of the King, by Patricia J. Collins, the same letter cited, and is also discussed. She also brings similar points about the letter, and the fact that Richard repeatedly publicly denied any such plans to marry his niece. Yet rumors circulated like wild fire after Anne’s death and did not help the situation. It was known is that he wished to remarry soon, as he had no heir to the throne at that time, he needed some job security. But it would make sense that the rumor mill went overboard, despite the good that Richard did. The game was to the defeated the one who is your opponent make them a victim of libel or slander, gossip and rumor and chip at them until they break. The rumors continued after his death under the rule of the new king, he had to establish power. And of course, they had to clean up the rumors of any public notion of what people once thought of Elizabeth of York when she married Henry Tudor. She had to be fit to marry a king. Place the blame on the dead king, he is dead so he can’t defend himself; easy scapegoat.

What do we take away from this? Just because it ends up in the daily newspaper, doesn’t mean it is fact or true. The educated public is a very small pool and most are the clergy, rumors are what makes the wheel and the power go around.
Finally, the princes in the tower. This is probably one of todays and in this time period, the biggest unsolved mystery to date. The show suggests that Elizabeth swapped young Richard out, with an imposter. That so did not happen. There are doctor records that show proof he was in the tower and he was ill. The gossip flew when they disappeared, again, who was unpopular? Richard III he was blamed for their disappearance. In defending Richard, it is questioned that Elisabeth’s loyalty eventually switched to him, but it was too late for obvious reasons, for him to save his throne. The simple fact that it did shift to him, is an indication that he was not responsible for their disappearance or why would she have changed loyalties if in fact he had something to do with the disappearances? It would not make sense, as what little evidence we have suggests.

The likely culprits? Margaret Beauford, and Stanley. They both wanted Tudor on that throne, and history shows that there is pile of bodies to that lead to that “iron throne”. Now, hypothetically, it is possible that she switched one of her children. But the biggest factual and theoretical problems that historians face today, is there is just no evidence anything that even suggests or supports who murdered the children, or in fact that they were even murdered in the first place. My personal theory; one died, the other more than likely died as well. From someone’s hand, no, from illness, yes. I vote tuberculosis; we already have a few dead of the disease currently in the show.

An article in The Guardian(http://www.theguardian.com/science/2013/feb/05/princes-in-tower-staying-under), discusses the urn that was found in the tower with some bones of two children found at the bottom of a stair case during a renovation, that could possibly hold some clues to this mystery. Since the discovery of Richard III and DNA testing of his remains, a suggestion was made to have those bones DNA tested but the request was denied. This actually puts a very interesting twist on the plot. The Church of England, and the Queen were even consulted and supported the denial. Perhaps they really do know what happened, it’s some big secret? We might never know. Is this enough to prove Richard III responsible, no. He was a very loyal, and catholic and held the church in great esteem, why would he commit a mortal sin on a child, he had other problems to worry about, and they were great by far. He went to great lengths to deny public accusations, where the Croyland Chronicles suggests, as well as the York House Books, as the one responsible for their disappearance. Again, the blame landed on a king whose competition wanted power, and if they could break him down piece by piece, they would and to take what they wanted in the end, that being the throne.
History always seems to have a different picture, than its interpretation or artistic departure. This is why I enjoy film. Sometimes it is nice to take a departure from what we know and to let it go.

My overall opinion of the show was it was terrific, beautiful, and just wonderfully written from an artistic perspective. From a historical perspective, it leads a lot into much needed discussion. But this is good for people like me. I love to teach others about what I love and know. There are so many aspects of medieval life that just one show cannot even begin to understand its complexity. It’s a complex but fascinating period. My biggest advice to people wanting to learn about the period or the people in it? Do your research wisely, and really look at who your sources have been written by. If you are reading about Richard III, if it is later for example 1600’s, the opinion will be painted poorly. This is something we are discovering today and is unfortunately the case in so much of our documentation. Sometimes a little of rewriting the past has to take place.

Finally, take a step back and try to think like that medieval person who wrote the material especially if it’s a primary source. Many angles need to be thought of when you go read into that piece. Who are they in favor with, what is their position at court, what is their education level, and are they a man of importance. To look at the life and times of individuals of the past, some of our best sources are the actual legal documents and letters of that time. For example “The Paston Letters.” They give anyone a perfect window into that time. The world of the Middle Ages is a fascinating time period and that was clearly depicted in the show“The White Queen.” It is a show worth its weight in gold. I highly suggest it.


Starz “The White Queen” is currently up for a People’s Choice Award for 2014.

Also vote for Aneurin Barnard for his role of Richard III

~ Andrea C. S. McMillin, BA Medieval Studies w/ History U.C. Davis and current scholar
October 26, 2013